How to avoid vocal fatigue when singing in a loud band?
There are a few things that could contribute to vocal fatigue:Why not start with ‘blaming others’ before doubting one’s technique?
About Singer’s Performance Tricks
Artists use a lot of tricks to give the illusion that they are totally amazing and any PR talk has
da’play – Cantaloupe Island Prep 3 – Dm7 to Fm7
https://youtu.be/y8GN1khZy70 da’play – Cantaloupe Island Prep 3 is the third backing track in the series to prepare improvising over the
da’play – Harmonic Not So Frolic Minor
A chilled out track exploring some of the musical flavours of A Harmonic Minor.
da’play – Sussing Out Stuff – Sus2 and Sus4 Flavours within C Minor Pentatonic
A track based on sus2 and sus4 chords that can be used to give the C Minor Pentatonic scale a
da’play – Bach Goldberg Variations Chord Progression – G Major Reggae
Continuing to explore Bach’s Goldberg Variations chord progression, this version here features an uplifting reggae fusion style, which is great
The super cool Minor 2 5
Th e “Minor 2 5” – aka IIø V7 or IIm7b5 V7b9 https://youtu.be/iApqWnaXfMY The “Minor 2 5” series is part
da’play – Aeolian Phrygian Dorian Dorianb9
Here is a chilled track comparing various A minor type scales. A Aolian: A B C D E F G
da’play – Am6 D9 and F# Half Diminished
A little twist on the common ii V progression.Usually, one would play Am7 and D7, with the typical options for
The super cool Minor 2 5 – Page 2
Th e “Minor 2 5” – aka IIø V7 or IIm7b5 V7b9 – PAGE 2 https://youtu.be/iApqWnaXfMY The same idea also
Impedances of Vocal Tracts and Matching and SOVT
Impedance is a fancy or more general term for resistance. Anything that resists therefore impedes, and thus has impedance, it’s
da’play – Dm7 and Dm6
Four bars of each chord. Alternating between Dm7 and Dm6. Essentially a II V progression, but looking at it from